Competition between Amazon’s third-party merchants is notoriously fierce. The online retail giant often finds itself playing the role of referee, banning what it considers unfair business practices (such as offering free products in exchange for perfect reviews, or targeting competitors with so-called “review bombing”). Last month, in the latest round of this push and pull, the online retail giant blew the whistle on several merchants who Amazon claims crossed a red line and may now have to face litigation in federal court.

On March 30, Amazon filed three lawsuits (available here, here and here) alleging that a collection of defendant merchants used Amazon’s Brand Registry service (which helps third-party sellers detect and shut down counterfeiters and other trademark and copyright infringers) to issue numerous bogus Digital Millennium Copyright Act (“DMCA”) takedown requests targeting competitors’ product listings similar to their own, with one defendant going so far as to create “dummy” websites featuring clandestinely copied product photos that were then used to support supporting the takedown requests (i.e., the defendants claimed their copied versions of the photos were the originals, and that the photos in the original product listings were infringing copies). The defendants allegedly misused Amazon’s portal for reporting copyright and trademark infringement as a tool to suppress legitimate competition. In addition to injunctive relief, Amazon seeks yet-indeterminate monetary damages, including special damages – an apparent effort to make an example out of the defendants and signal that Amazon will go well beyond simply kicking bad actors out of its marketplace for this type of behavior.

To understand this suit and defendants’ alleged scheme, one must understand the DMCA – including certain of its weak points. The DMCA creates a series of possible safe harbors for online service providers (“OSPs”) whose platforms might be used by customers and other third parties to store or transmit copyright-infringing material (17 U.S.C. § 512). To qualify for protection, most OSPs’ platforms have “Notice-and-Takedown” systems, through which copyright owners can flag infringing user posts for removal. So long as the service provider honors all takedown requests that meet certain basic criteria, among other safe harbor criteria, the DMCA allows the provider to avoid secondary liability for any infringing material that isn’t flagged. The basic tradeoff of the DMCA is that it puts the burden on rightsholders to police platforms instead of the platforms themselves, so long as the platforms provide a means for the rightsholders to act when specific instances of infringement are discovered.

DMCA abuse is not a new phenomenon. Because the DMCA does not require OSPs to investigate takedown requests (many of which are now automated), the system allows legitimate rightsholders and bad actors alike to torpedo postings at will. Of course, rightsholders issuing takedown requests are required to certify under penalty of perjury that their requests are legitimate, but it is then up to the party whose content is taken down to submit a counter-request claiming noninfringement (or an affirmative defense like fair use). Because the OSP typically has no strong interest in whether the content stays up or comes down, it usually remains neutral while the rightsholder and posting party engage in the DMCA Section 512(g)’s prescribed back-and-forth. Even in the event that a takedown request is revealed to have been patently illegitimate, the OSP rarely has much incentive to pursue legal action, nor does such action typically make financial sense for the original poster (especially if the downed content has been restored). Thus, there is often little or no punishment for those who use the system in bad faith.

Here, however, the incentives are quite different. In the “typical” process contemplated by the DMCA, Amazon simply acts as a neutral middleman, shuffling notices and counternotices between the parties and taking down and putting up content as appropriate. It would not have a dog in the dispute, other than maintaining its DMCA protections. But in these cases, Amazon’s concern with Defendants’ alleged scheme isn’t really about intellectual property at all, as their takedown requests were merely a pretense to delist competitive listings. Amazon has a very different set of incentives when it comes to maintaining its third-party marketplace as a vibrant marketplace where merchants want to and can successfully sell their goods without being subject to DMCA abuse.  In any case, Amazon has made plain that merchants on its platform should be wary of biting the hand that feeds them.

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Photo of David Munkittrick David Munkittrick

David Munkittrick is a litigator and trial attorney. His practice focuses on complex and large-scale antitrust, copyright and entertainment matters in all forms of dispute resolution and litigation, from complaint through appeal.

David has been involved in some of the most significant antitrust…

David Munkittrick is a litigator and trial attorney. His practice focuses on complex and large-scale antitrust, copyright and entertainment matters in all forms of dispute resolution and litigation, from complaint through appeal.

David has been involved in some of the most significant antitrust matters over the past few years, obtaining favorable results for Fortune 500 companies and other clients in bench and jury trials involving price discrimination and group boycott claims. His practice includes the full range of antitrust matters and disputes: from class actions to competitor suits and merger review. David advises antitrust clients in a range of industries, including entertainment, automotive, pharmaceutical, healthcare, agriculture, hospitality, financial services, and sports.

David also advises music, publishing, medical device, sports, and technology clients in navigating complex copyright issues and compliance. He has represented some of the most recognized names in entertainment, including Sony Music Entertainment, Lady Gaga, U2, Madonna, Daft Punk, RCA Records, BMG Music Publishing, Live Nation, the National Academy of Recording Arts and Sciences, Universal Music Group and Warner/Chappell.

David maintains an active pro bono practice, supporting clients in the arts and in immigration proceedings. He has been repeatedly recognized as Empire State Counsel by the New York State Bar Association for his pro bono service, and is a recipient of Proskauer’s Golden Gavel Award for excellence in pro bono work.

When not practicing law, David spends time practicing piano. He recently made his Carnegie Hall debut at Weill Recital Hall with a piano trio and accompanying a Schubert lieder.

David frequently speaks on antitrust and copyright issues, and has authored or co-authored numerous articles and treatise chapters, including:

  • Causation and Remoteness, the U.S. Perspective, in GCR Private Litigation Guide.
  • Data Breach Litigation Involving Consumer Class Actions, in Proskauer on Privacy: A Guide to Privacy and Data Security Law in the Information Age.
  • Location Privacy: Technology and the Law, in Proskauer on Privacy: A Guide to Privacy and Data Security Law in the Information Age.
  • FTC Enforcement of Privacy, in Proskauer on Privacy: A Guide to Privacy and Data Security Law in the Information Age.
  • The Role of Experts in Music Copyright Cases, Intellectual Property Magazine.
  • Nonprofit Education: A Historical Basis for Tax Exemption in the Arts, 21 NYSBA Ent., Arts, & Sports L.J. 67
  • A Founding Father of Modern Music Education: The Thought and Philosophy of Karl W. Gehrkens, Journal of Historical Research in Music Education
  • Jackson Family Wines, Inc. v. Diageo North America, Inc. Represented Diageo in trademark infringement litigation
Photo of Peter Cramer Peter Cramer

Peter Cramer is an associate in the Corporate Department and a member of the Technology, Media & Telecommunications Group.

Peter earned his J.D. from Columbia Law School in 2021, where he was honored as a James Kent Scholar and received the Michael D.

Peter Cramer is an associate in the Corporate Department and a member of the Technology, Media & Telecommunications Group.

Peter earned his J.D. from Columbia Law School in 2021, where he was honored as a James Kent Scholar and received the Michael D. Remer Memorial Prize for Excellence in Copyright and Art Law. At Columbia, Peter served as co-President of the Entertainment, Art and Sports Law Society; as coach of AIPLA, Columbia’s intellectual property moot court team; and as a staffer for the Columbia Journal of Law and the Arts.

Peter received his B.A. from Wesleyan University in 2014, where his senior thesis documentary film earned him Departmental Honors and the Best Documentary Award from the Film Studies Department. After college, he was nominated for an Emmy for his work on the documentary film American Experience: The Mine Wars. Peter was born and raised in Massachusetts.